- OCEAN WAY STUDIOS PLUGIN REVIEW SOFTWARE
- OCEAN WAY STUDIOS PLUGIN REVIEW SERIES
- OCEAN WAY STUDIOS PLUGIN REVIEW TV
This paradigm is actually familiar to those who have already used convolution reverbs where a room’s ambience was sampled, like EastWest’s QL Spaces, Alitverb, or Logic Pro’s Space Designer. There is however a second mode called Reverb mode.
You know the old saw about putting lipstick on a pig, right? The bottom line for me is that Re-Mic mode will indeed change the sound of any source material you work with but it will make more positive difference with sounds that were recorded with an inherent “life” to the sound than samples. I had the same experience when working with previous recordings of an actual acoustic guitar versus a sampled acoustic guitar. It sounded considerably more like I had recorded it in an expensive studio, specifically of course, Ocean Way Studio A or B. Within a short time, there was warmth and depth to my vocal that was not there before. I then added a Re-Mic preset for Studio B solo vocal and now I began to understand what this plug-in brings to the table. Just for grins, I did a quick demo of Henry Mancini’s ”Charade” and performed my best Bobby Darin-Frank Sinatra-ish vocal and it came off pretty well, I thought. I have a small project studio, not treated, OK sounding, but it is no Ocean Way. I realized the issue was the source material used. This time I tried using it on actual recordings of real players and singers, and the difference was now clear to me.
No magical “breakthrough” for me.Ĭould the Universal Audio guys have gotten this one wrong? Or was I maybe doing something wrong?Īs is my wont, I persevered. Sure I could move the mics around and the sound was definitely different, but was it better? The jury is still out because I suspect it would depend on the cue mix, but I heard little that I felt I could not do with other spatial positioning techniques and EQs. Samples by definition are rather lifeless and the life I was hoping it would impart was not there.
OCEAN WAY STUDIOS PLUGIN REVIEW SOFTWARE
I initially tried some software instruments and messed around with it for a while and my initial reaction was disappointment. As in the real world of using multiple mics, if you do not really know what you are doing with multiple mic positioning, it is quite easy to create phase issues for yourself when utilizing multiple mics, and most of the presets only choose one for this reason. Unless you are a full-blown engineer, you will want to start with the presets and experiment.
Re-Mic is designed to replace the source material’s ambience with the sonic characteristics of Ocean Way’s acoustics and it gives you near, mid, and far positions with different mic choices available for each, i.e condenser, dynamic, and ribbon. It has two modes: Re-Mic and Reverb and their intention is quite different. This is a complex plug-in so lets start with the basics. By combining elements of room, microphone, and source modeling, Ocean Way Studios moves far beyond standard impulse response players and reverbs - giving you an authentic dynamic replication of one of the world’s most famous recording studios.”Īt $349 US, however, it is out of the no-brainer price range for most people, so is it a must have? Yes and no. “The Ocean Way Studios Plug-In rewrites the book on what’s possible with acoustic space emulation. Universal Audio describes the plug-in as a “breakthrough” and says:
OCEAN WAY STUDIOS PLUGIN REVIEW SERIES
I recorded an HBO series I was scoring there many years ago and it was a great sounding studio.
OCEAN WAY STUDIOS PLUGIN REVIEW TV
Although primarily known for hit records, this studio, actually 2 studios, Studio A and Studio B, was home to lots of film and TV shows score recording sessions. I am on record as being an unabashed fan of the UAD platform and its plug-ins, so when I first heard about the Ocean Way Studios plug-in, I was excited.
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